![urge overkill urge overkill](https://lyricstranslate.com/files/styles/large/public/urge-overkill.jpg)
Oui, the song may be catchy, but that doesn’t mean there isn’t some Nietzche level shit in there. The theme is the poetic duality between the known and unknown. That’s how you play with how much swing you want to hear in your groove. The EVIL, the interesting, unpredictable, formless yearning energy behind everything emerges in the upstroke via syncopation. “To me, the downbeat in the central riff represents solid, factual NECESSARY facts. “How do you deal with someone whose mind is made up? How do you oppose myopia in all its forms?” asks Roeser. Oui is the new release from Nash Kato and King Roesertheir first in over a decade. When the world was asked if it was time for new music from Urge Overkill, it responded with one wordOui. Now, a decade after the release of Rock & Roll Submarine, Nash Kato and Eddie “King” Roeser return with Oui - 12 new tracks, including 11 originals and an Urge-ified cover of Wham!’s “Freedom!” Urge Overkill Oui, Omnivore Recordings 2022Īnd Rock & Roll Globe is beyond chuffed to premiere the first single off Oui this afternoon, “A Necessary Evil.” It’s got that classic midtempo groove reminiscent of your favorite moments on such Urge Overkill classics as Stull and Saturation. First new album from Urge Overkill in a decade. Check it out right here, right now, and preorder Oui.The word about a new Urge Overkill album in early 2022 certainly has us pretty psyched for the new year over here at Rock & Roll Globe. We’re proud to premiere “How Sweet The Light” today at MAGNET. 1 They are widely known for their song 'Sister Havana' and their cover of Neil Diamond s ' Girl, Youll Be a. (You were right, how sweet the light.) Now let’s all scale them thar mountains!” We were united by rock, goes a standard pronouncement by Urge Overkill singer-guitarist Nash Kato, as cited by Rolling Stone. Urge Overkill is an American alternative rock band, formed in Chicago, Illinois, United States, consisting of Nathan Kaatrud, who took the stage name Nash Kato (vocals/guitar), and Eddie 'King' Roeser (vocals/guitar/bass guitar). There is no light without darkness, no peaks without valleys? It’s only human nature to gravitate toward the light, at times even climbing dauntlessly into the fire. (Behold the Phoenix rising.) Thanks again for that solemn reminder, Jackie Blue. (Perhaps a mirror?) As with life itself, the interpretation is singularly upon the observer. Says Kato, “This track is merely a portrait for anyone. “How Sweet The Light” is one of Oui’s highlights, and we’re bringing it to you today. Oui oscillates between the sensibilities of myself and Nash, like a Lennon-and-McCartney vibe at their late period, and we ended up heading toward both heartbreaking directness and baroque pop.” “We felt like we succeeded in continuing our mission of classic-rock penmanship. “We’re very proud of this album,” says Roeser. And if you were ever a UO fan, you’ll want to just say yes to Oui. On January 28, Omnivore will release Oui, Urge Overkill’s seventh album, featuring 11 archetypal UO originals in addition to a cover of Wham!’s “Freedom.” It’s yet more timeless rock ’n’ roll that’s unmistakably the men from U.R.G.E. Sure, some live performances followed, but it seemed like it might be goodbye from Guyville. After some solo projects as well as lineup and label changes, Rock & Roll Submarine came 16 years after that, and though it was another solid effort, by that point it seemed like Kato and Roeser might be closing their supersonic storybook for good. Saturation remains one of the best rock records of that era, sounding as good today as it did 28 years ago, but if that album-recorded in MAGNET’s hometown of Philly-didn’t make Kato and Roeser household names, nothing they did would.Įxit The Dragon followed in 1995, and while it’s a fine LP, it didn’t do much to win over any new fans. One of the problems with being a timeless rock ’n’ roll band is that, in trend-following consumers’ minds, you never every really fit in at any particular time. (Urge Overkill also landed on the cover of the first issue of a new music magazine called MAGNET see below.)īut while the Chicago-based Urge Overkill was certainly always dressed for success, mainstream success never came.
![urge overkill urge overkill](https://townsquare.media/site/838/files/img/zp/urgeoverkill/doubledoor/urge-overkill-59.jpg)
Saturation, Urge Overkill’s Geffen debut, was released that year, and with the success of a few minor “modern-rock” hits and the inclusion of an older UO song (a cover of Neil Diamond’s “Girl, You’ll Be A Woman Soon”) on the Pulp Fiction soundtrack in 1994, things looked very promising for Nash Kato and King Roeser. The year was 1993, and in the wake of Nirvana’s earth-shattering success with Nevermind, any band that even slightly bore a musical resemblance to Cobain and Co. The ongoing feud between Urge Overkill and their former partners in crimeproducer Steve Albini and Touch and Go Records nicely illustrates the intense pressures that independent bands and.